Gear List

Console

  • API 48 Channel Vision Analog Mixing Desk
  • 96 Automated faders/inputs at mixdown. 108 total inputs
  • 3 Stereo Buses and Dedicated 5.1 Mix Bus. Surround Fold Down Matrix
  • 24 buses, 10 aux sends, 212L mic pres, 550L EQ, 560L EQ, 225L compressors, 235L Gates, 215L Sweep Filters, 205L Direct Inputs
  • 5 Channel Surround Panning on each Fader
  • Dual Input, Two 100mm Moving Faders on each Input
  • Resettable Switch Automation, assignable per Channel or Globally
  • All Discrete Signal Path

DAW components

  • Pro Tools 10 HD X
  • (6) Digidesign 192 Convertors (96 Channels)
  • Digidesign Sync I/O
  • Apogee Big Ben Master Digital Clock

Mix to Picture

  • Stewart 8 foot Filmscreen (Microperf)
  • Panasonic HD Projector
  • The ProTools system is locked to Black Burst for total frame accuracy
  • 2 Sony 52 Inch LCD Monitors
  • Video playback in tracking room for film scoring
  • PMC Full range 5.1 monitor system for surround mixing

Cue System

  • Manley-Langevin 8 channel analog HP 101

Microphones

  • AKG 451
  • AKG C 414 B-ULS (2)
  • AKG “The Tube”
  • Audio Technica 4050 (2)
  • Audio Technica 4047/SV (2)
  • Audio Technica 4033
  • Brauner VM1S Stereo Tube
  • CAD E100
  • Electrovoice RE 20 (2)
  • Fostex Stereo Printed Ribbon
  • Sennheiser MD 421 (8)
  • Sennheiser MD 441 U
  • Shure SM 7
  • Shure SM 57 (9)
  • Shure SM 58
  • Shure SM 33
  • Shure KSM 141 (2)
  • Neumann KM 84 (2)
  • Neumann U 87
  • Neumann M147
  • Soundelux U 99
  • Royer SF 12 Stereo Ribbon
  • Royer 121 Ribbon
  • RCA DX 77 Ribbon

Instruments and other equipment

  • Hammond A 100 Organ with 122RV Leslie (Vintage)
  • Hammond B-3 and 147 Leslie with Combo Pre-Amp for instruments
  • Young Chang PG 185 Grand Piano
  • Ampeg Fliptop Bass Amp (Vintage)
  • Fender Vibro Champ Amplifier (Vintage)
  • Ampeg Rocket Amplifier (Vintage)
  • Epiphone Galaxie Amplifier (Vintage)

Analog Recorders

  • Studer A827 24 Track Recorder
  • Ampex ATR 2 Track 1/2 Inch Recorder
  • Otari MTR-15 2 Track 1/4 Inch Recorder
  • Teac 122 MK III Casette Recorder

Outboard Gear

  • Analogue Tube AT 101 Stereo Compressor by Simon Saywood (Fairchild)
  • SSL G Bus Compressor
  • Valley People 440 Compressor
  • Amek 9098 Stereo Compressor/Limiter
  • Dbx 900 Rack– 902 Desser (3) 904 Compressor (4), 905 EQ (2)
  • JFL Audio MP F5 Preamp/Compressor by Frank Lacy
  • Urei LA4 Compressor (4)
  • Universal 1176 Compressor (2)
  • Dbx 161 Stero Compressor
  • EMT 140 Tube Plate Reverb (Stereo)
  • AKG BX 20e Spring Reverb
  • Eventide H300 SE Harmonizer
  • TC Electronics System 6000 Reverb
  • Lexicon 224XL Digital Reverb
  • Lexicon PCM 91 Reverb
  • Lexicon PCM 81 Digital Delay
  • Lexicon Model 200 Reverberator
  • Lexicon MPX 1 Multi Effects Processor
  • Neve 1272 Preamp (2)
  • Avalon 737 Preamp/Compressor/EQ
  • Sytek MPX-4A Preamps (4)
  • GML 8200 Stereo Equalizer
  • Dbx 120xp Subharmonic Synthesizer

Monitors

  • 5 PMC IB2S-A cabinets for Stereo and 5.1 mixing. XB2 subwoofer. Powered by Bryson amplifiers.
  • Yamaha NS 10s with subwoofer
  • Manley Tannoy ML10 reference monitors with Mastering Lab crossovers

Misc

  • Radial Passive Direct Boxes
  • Tube Direct Box by James Demster
  • Reamp V2 Box
  • Canare quad cables throughout
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